Cheryl Pyle's new album Sound Sculptures (self-released) pulls together where she is as an artist--flautist, bassist, composer, poetess.
It's twelve pieces of pure Cheryl. Her compositions are chamber jazz in the best sense of the term. Like Giuffre she maps out musical motifs in bare-boned contexts--often her flute and electric bass in combination--and builds improvisations around the thematic material. She has a beautiful tone on flute and an ear for phrasings that have new music elements as well as those of "jazz." Some tribal bedrock can be felt too in the twists and turns of some of the riffs.
Max Ridgway joins her on guitar for several tracks for good result. And she overdubs two or more flutes at times for rich harmonies. And sometimes her flute has some electronic enhancements. That works too. Her poetry, one example here with electronic flute compositional framing, is soulful and full of feeling.
This is music. Cheryl Pyle music. Expect something else and you wont get it. It takes a few listens to find your balance because this is not a typical "jazz" album. But once you do, you have the experience of entering an original world that has some marvelous flute playing, some conceptual uniqueness and compositional frameworks that stand out. Give it a listen! The mp3 link to purchase from Cheryl is .. http://www.cherylpyle.blogspot.com/